“A poet is, before anything else, a person who is passionately in love with language”. W.H. Auden
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“A poet is, before anything else, a person who is passionately in love with language”. W.H. Auden
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“A short story must have a single mood and every sentence must build towards it.” Edgar Allan Poe
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“There are no laws for the novel. There never have been, nor can there ever be.” Doris Lessing
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It was such a delight to be involved. Thank you so much for putting me up so comfortably and making me so welcome.
Naomi Wood is the author of The Godless Boys (Picador, 2011) and the award-winning Mrs. Hemingway (Picador, 2014) which won the British Library Writers Award, the Jerwood Fiction Uncovered Award, was shortlisted for the International Dylan Thomas Award, and was a Richard and Judy book-club choice. Her third novel, The Hiding Game, is set in the Bauhaus art school in1920s Germany, and will be published in the Bauhaus centenary year by Picador in 2019. Her work is available in sixteen languages. She teaches at UEA and lives in Norwich with her family.
"I'm looking for a first novel that will keep me guessing, that will deliver tension in the story and pleasure in the sentences. Debuts in particular depend on voice: I'd love that voice to be fresh and different and unfamiliar.”
Image: Rachel Hippolyte
Hollie McNish is a full time writer who loves writing poetry. She has published three poetry collections Papers, Cherry Pie and Plum, and one poetic memoir on politics and parenthood, Nobody Told Me, of which the Scotsman suggested “The world needs this book” and for which she won the Ted Hughes Award. In 2017 Nobody Told Me was translated into German, French and Spanish and released in the USA.
In 2016 she co-wrote a play Offside with Sabrina Mahfouz, relating the two hundred year history of UK women’s football.
She has written a few select commissions including subjects such as: orgasm inequality for Durex; various for The Economist Education Foundation and most recently 'War Whores' – a history of sex work in World War One for the 14-18 / Roundhouse LDN partnership.
Hollie tours continuously all over the UK, Europe and beyond and is a big fan of freely accessible online readings – her poetry videos have attracted millions of views worldwide.
She is currently working on a new collection of poems and stories.
"I’m looking for poetry that interests, perhaps surprises, tickles or pulls me in upon first reading, but which also stands up proud to repeated re-reads. I’m searching for distinctive voices that leave me wanting to read more from this same mind, voice, pen. I’d love to feel from the poems; what feeling that is, I don’t know yet!"
Image: Kat Gollock
Kirsty Logan is the author of the novels The Gloaming and The Gracekeepers, short story collections A Portable Shelter and The Rental Heart & Other Fairytales, flash fiction chapbook The Psychology of Animals Swallowed Alive, and short memoir The Old Asylum in the Woods at the Edge of the Town Where I Grew Up. Her books won the Lambda Literary Award, Polari Prize, Saboteur Award, Scott Prize and Gavin Wallace Fellowship. Her work has been translated into Japanese and Spanish, recorded for radio and podcasts, exhibited in galleries and distributed from a vintage Wurlitzer cigarette machine. She lives in Glasgow with her wife.
“ I'm hoping to find something surprising, vivid, and emotionally real. Most of all, I'm looking for something with a unique voice and viewpoint – a story that couldn't have been written by anyone else”.
Image: Simone Falk
Kirsty Logan is the author of the novels The Gloaming and The Gracekeepers, short story collections A Portable Shelter and The Rental Heart & Other Fairytales, flash fiction chapbook The Psychology of Animals Swallowed Alive, and short memoir The Old Asylum in the Woods at the Edge of the Town Where I Grew Up. Her books won the Lambda Literary Award, Polari Prize, Saboteur Award, Scott Prize and Gavin Wallace Fellowship. Her work has been translated into Japanese and Spanish, recorded for radio and podcasts, exhibited in galleries and distributed from a vintage Wurlitzer cigarette machine. She lives in Glasgow with her wife.
"In a story I want something unexpected, something imaginative and honest, something strange and familiar”.
Image: Simone Falk
I am editing again. I am sitting at my desk and there are piles of books stacked around me (yes, very like a fort), only where once not so long ago, I was nervously polishing my manuscript for submission to the Bridport First Novel Prize, now I am editing it for global publication.
"My 2017 Bridport Prize entry ‘Buttercups’ was mostly roughed out in indecipherable biro scrawl on the inside of my forearm whilst out walking. Clearly this is not a particularly efficient method of note-taking.."
Terry Warren won the Flash Fiction competition and the Dorset Award in 2017. In this blog he tells of four things he has leant about being a writer since his win.
We’ve all heard of boosting creativity, but when I talk about managing it, writers often react with suspicion; something like creativity can’t (oughtn’t!) be managed, surely?
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